Feminae: Medieval Women and Gender Index


14 Record(s) Found in our database

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1. Record Number: 5863
Author(s): Kienzle, Beverly Mayne.
Contributor(s):
Title : Hildegard of Bingen's Teaching in Her "Expositiones evangeliorum" and "Ordo virtutum" [The author focuses on the variety of exegetical interpretations Hildegard offers in the "Expositiones"].
Source: Medieval Monastic Education.   Edited by George Ferzoco and Carolyn Muessig .   Leicester University Press, 2000.  Pages 72 - 86.
Year of Publication: 2000.
2. Record Number: 7814
Author(s): Cook, Susan C.
Contributor(s):
Title : Hildegard's All-Girl Victory Band [The author argues for the importance of Hildegard's "Ordo Virtutum" and discusses a performance of the "Electric Ordo Virtutum" by the Hildegurls. Each of the four composer-performers interpreted a section by creating new music and playing the lead role in that part of the performance. Title note supplied by Feminae.].
Source: IAWM: International Alliance for Women in Music Journal , 5., 1 (Winter 1999):  Pages 14 - 16.
Year of Publication: 1999.
3. Record Number: 3991
Author(s): Fassler, Margot.
Contributor(s):
Title : Composer and Dramatist: "Melodious Singing and the Freshness of Remorse"
Source: Voice of the Living Light: Hildegard of Bingen and Her World.   Edited by Barbara Newman .   University of California Press, 1998. European Medieval Drama , 2., ( 1998):  Pages 149 - 175.
Year of Publication: 1998.
4. Record Number: 5065
Author(s): Dabke, Roswitha.
Contributor(s):
Title : Desiderium dei and the Cast of Souls in Hildegard von Bingen's Play "Ordo Virtutum" [the notion that Hildegard was a conservative fighting new ideas needs to be replaced because she drew on a variety of religious thinkers including her near contemporaries Abelard and Hugh of Saint Victor].
Source: Parergon: Journal of the Australian and New Zealand Association for Medieval and Early Modern Studies, New Series , 16., 1 (July 1998):  Pages 1 - 18.
Year of Publication: 1998.
5. Record Number: 8520
Author(s): Potter, Robert.
Contributor(s):
Title : The Holy Spectacles of Hildegard of Bingen [The author provides an introduction to Hildegard's "Ordo virtutum," an allegorical drama with music and spectacle. The author provides details from Hildegard's life and from her other writings to illuminate the meaning of the "Ordo virtutum." Title note supplied by Feminae.].
Source: European Medieval Drama , 2., ( 1998):  Pages 179 - 196.
Year of Publication: 1998.
6. Record Number: 2392
Author(s): Davidson, Audrey Ekdahl.
Contributor(s):
Title : Hildegard of Bingen (1098-1179): The "Ordo Virtutum" [includes Latin text, English translation, and modern performance scores for three pieces from the "Ordo Virtutum": "Flos campi, No. 38," "Gaudete, O socii, No. 80," and "In principio, No. 87"].
Source: Women Composers: Music Through the Ages.   Edited by Martha Furman Schleifer and Sylvia Glickman .   Volume 1 Composers Born Before 1599. G.K. Hall ; Prentice Hall International, 1996. European Medieval Drama , 2., ( 1998):  Pages 51 - 60.
Year of Publication: 1996.
7. Record Number: 5510
Author(s): Jenni, Martin.
Contributor(s):
Title : Godfire: Hildegard's Hymns to the Holy Spirit [in the Appendix the author presents the Latin text of "O ignis spiritus paracliti" along with an English translation].
Source: Wisdom Which Encircles Circles: Papers on Hildegard of Bingen.   Edited by Audrey Ekdahl Davidson .   Medieval Institute Publications, Western Michigan University, 1996. European Medieval Drama , 2., ( 1998):  Pages 105 - 115.
Year of Publication: 1996.
8. Record Number: 10805
Author(s): Davidson, Audrey Ekdahl.
Contributor(s):
Title : Music and Performance: Hildegard of Bingen's "Ordo Virtutum" [The article analyzes Hildegard's music, and suggests that the “Ordo Virtutum” deserves to be performed before modern audiences. The article includes an appendix discussing British Library Add. MS. 15, 102. Title note supplied by Feminae.].
Source: The Ordo Virtutum of Hildegard of Bingen: Critical Studies.   Edited by Audrey Ekdahl Davidson .   Medieval Institute Publications, 1992. European Medieval Drama , 2., ( 1998):  Pages 1 - 29.
Year of Publication: 1992.
9. Record Number: 10807
Author(s): Sheingorn, Pamela.
Contributor(s):
Title : The Virtues of Hildegard's “Ordo Virtutum”; or, It Was a Woman's World [The author argues that Hildegard's “Ordo Virtutum” uses female personifications of Virtues in a way that employs a concept of the universal as female rather than male. Title note supplied by Feminae.].
Source: The Ordo Virtutum of Hildegard of Bingen: Critical Studies.   Edited by Audrey Ekdahl Davidson .   Medieval Institute Publications, 1992. European Medieval Drama , 2., ( 1998):  Pages 43 - 62.
Year of Publication: 1992.
10. Record Number: 10810
Author(s): Davidson, Clifford.
Contributor(s):
Title : The "Ordo Virtutum": a Note on Production [The article surveys some of the problems with designing and staging a modern production of Hildegard's "Ordo Virtutum", using the example of the Society for Old Music's production in 1984. Title note supplied by Feminae.].
Source: The Ordo Virtutum of Hildegard of Bingen: Critical Studies.   Edited by Audrey Ekdahl Davidson .   Medieval Institute Publications, 1992. European Medieval Drama , 2., ( 1998):  Pages 111 - 122.
Year of Publication: 1992.
11. Record Number: 10809
Author(s): Iversen, Gunilla.
Contributor(s):
Title : Ego Humilitatis, Regina Virtutum: Poetic Language and Literary Structure in Hildegard of Bingen's Vision of the Virtues [The author discusses the metaphorically rich poetic imagery of Hildegard's lyrics, comparing them to her music. Title note supplied by Feminae.].
Source: The Ordo Virtutum of Hildegard of Bingen: Critical Studies.   Edited by Audrey Ekdahl Davidson .   Medieval Institute Publications, 1992. European Medieval Drama , 2., ( 1998):  Pages 79 - 110.
Year of Publication: 1992.
12. Record Number: 10806
Author(s): Potter, Robert.
Contributor(s):
Title : The “Ordo Virtutum”: Ancestor of the English Moralities? [The author argues that Hildegard's “Ordo Virtutum” was performed and connected with Church ritual, but is not a part of the later morality play tradition. Title note supplied by Feminae.].
Source: The Ordo Virtutum of Hildegard of Bingen: Critical Studies.   Edited by Audrey Ekdahl Davidson .   Medieval Institute Publications, 1992. European Medieval Drama , 2., ( 1998):  Pages 31 - 41.
Year of Publication: 1992.
13. Record Number: 10808
Author(s): Holloway, Julia Bolton.
Contributor(s):
Title : The Monastic Context of Hildegard's "Ordo Virtutum" [The author considers the ways in which Hildegard and her "Ordo Virtutum" fit into the confined and yet privileged setting of monastic life. Title note supplied by Feminae.].
Source: The Ordo Virtutum of Hildegard of Bingen: Critical Studies.   Edited by Audrey Ekdahl Davidson .   Medieval Institute Publications, 1992. European Medieval Drama , 2., ( 1998):  Pages 63 - 77.
Year of Publication: 1992.
14. Record Number: 10661
Author(s): Davidson, Audrey Ekdahl.
Contributor(s):
Title : Another manuscript of the "Ordo Virtutum" of Hildegard von Bingen [The author provides a breif note on a manuscript copied in fifteenth century Germany probably by a monk at the monastery of Sponheim. Davidson includes two musical examples showing the words and music from both the Sponheim manuscript (British Library Add. MS 15, 102) and the twelfth century Wiesbaden manuscript (Wiesbaden, Hessische Landesbibliothek, MS 2).]
Source: Early Drama, Art, and Music Review , 13., 2 (Spring 1991):  Pages 36 - 41.
Year of Publication: 1991.